Ein voller Kinosaal bedeutet immer niedere Beweggründe.
— Vlado Kristl

True Widow - Duelist (off s/t album, 2008)

come at dawn
all the burning lights are wasted
tongue tied now
you can’t understand the torture
in the morning of the day
with the cold world brings a fear
hope to hear all is not gone and wasted
deep and dark underground
apart from all that’s aching
in the seconds near a time
just a figure in my mind
and a pale cloud passes by when the mourning doves’ on high
i cannot feel all the feelings i might
out the gate i come undone
how can i feel all these feelings at once
tempt the bottom feeding love
wade in the darkest of darkened accounts
rest and breath in all your last of days

"Ambroise Vollard", Pablo Picasso 1910

Asphyx - We Doom You To Death (off their split 7” with Hooded Menace, 2011)


just the perfect tempo right now.

Cianide - Second Life

Lifelessness, the path to death,
Time is impatient,
Distortion of birth,
Unjust favors, unheard screams.

Twisting in pain, misfortune falls upon you.
Unfortunate circumstance, No chance for second life.
Fantasies of death, withheld by ignorance.
Timeless unbirth.
No chance for second life.

Unlived experience, grief and sorrow, disrupted life-flows.
Baptism of blood, death by life, confound reality.

A right to live,
Exposed to death,
Forgotten? Unanswered?
A question to life.

Lifelessness, the path to death,
Time is impatient,
Distortion of birth,
Death by life, confound realities.

Official video to Hooded Menace's “Crumbling Insanity" off their new record "Effigies of Evil".

went to a friend’s and scored quite some vinyl the other day \o/

thanks! I love it. My favourite mandalorians are Kal Skirata and his sons. :) I love those stories. and that sleeve sounds great. Canderous Ordo does have a very cool beskar'gam.

Haha true 8) I haven’t gotten my hands on any of the Republic Command stories yet, or wherever Kal Skirata actually appears.. I just remember his name floating around here and there every now and then :D

However, KotOR was the first SW comic series I’ve read and it kinda sucked me really deep into the extended universe resp. SW comics in general :) So I definitely need to credit that in some way.

So thanks for reminding me that I wanna get this done :D

Autopsy - Funereality (off “Acts of the Unspeakable”, 1992)

In which your soul resides
From which you cannot hide
Devour your rotting flesh

Sceptic - Sceptic (off “Blind Existence”, 1999)

I’m blamed for normal life
I want to get away from shadow and cry
My frozen heart is like a stone
Is like a stone on the depth of lake

Sadness is my normal feeling
Night is a day for me

I’m slave of a mortal things
Sacrificed to the northern winds
Dark boat of my sceptic life
Is floating away to a paradise

I talk to myself
I think about the end
Death is my only friend
Evil is my only choice

I stand on the edge
I wait for the end
Death’s my destination
My way is going to hell



Nerds and Male Privilege (definitely worth a read!)

I want to tell you a story.

A few years ago, I was dating a girl who was decidedly not nerd curious. She tolerated my geeky interests with a certain bemused air but definitely didn’t participate in ‘em… not even setting foot inside a comic store on new comic day. She’d wait outside until I was done… which could be a while, since I was friends with several of the staff.

She came in the store exactly once, after I’d explained that no, it’s a pretty friendly place… well lit, spacious, organized and with helpful – and clearly identified – staff members who were willing to bend over backwards to make sure their customers were satisfied.

She was in there for less than 4 minutes before one mouth-breathing troglodyte began alternately staring at her boobs – evidently hoping that x-ray vision could develop spontaneously – and berating her for daring to comment on the skimpy nature of the costumes – in this case, Lady Death and Witchblade. She fled the premises, never to return.

When both the manager and I explained to him in no uncertain terms as to what he did wrong he shrugged his shoulders. “Hey, I was just trying to help you guys! She couldn’t understand that chicks can be tough and sexy! Not my fault she’s a chauvinist,” he said.

And that was when I shot him, your honor.

So with that example in mind, let’s talk about a subject I’ve touched on before: Male Privilege and how it applies to geeks and – more importantly – geek girls.


I don’t think I’m breaking any news or blowing minds when I point out that geek culture as a whole is predominantly male. Not to say that women aren’t making huge inroads in science fiction/fantasy fandom, gaming, anime and comics… but it’s still a very male culture. As such, it caters to the predominantly male audience that makes it up. This, in turn leads to the phenomenon known as male privilege: the idea that men – most often straight, white men – as a whole, get certain privileges and status because of their gender.

(Obvious disclaimer: I’m a straight white man.)

In geek culture, this manifests in a number of ways. The most obvious is in the portrayal of female characters in comics, video games and movies. Batman: Arkham City provides an excellent example.

The women are all about sex, sex, sexy sextimes. With maybe a little villainy thrown in for flavor. They may be characters, but they’re also sexual objects to be consumed.

I will pause now for the traditional arguments from my readers: these characters are all femme fatales in the comics, all of the characters in the Arkham games are over-the-top, the men are just as exaggerated/sexualized/objectified as the women. Got all of that out of your systems? Good.

Because that reaction is exactly what I’m talking about.

Y’see, one of the issues of male privilege as it applies to fandom is the instinctive defensive reaction to any criticism that maybe, just maybe, shit’s a little fucked up, yo. Nobody wants to acknowledge that a one-sided (and one-dimensional) portrayal of women is the dominant paradigm in gaming; the vast majority of female characters are sexual objects. If a girl wants to see herself represented in video games, she better get used to the idea of being the prize at the bottom of the cereal box. If she wants to see herself as a main character, then it’s time to get ready for a parade of candyfloss costumes where nipple slips are only prevented by violating the laws of physics. The number of games with competent female protagonists who wear more than the Victoria’s Secret Angels are few and far between.

The idea that perhaps the way women are portrayed in fandom is a leetle sexist is regularly met with denials, justifications and outright dismissal of the issue. So regularly, in fact, that there’s a Bingo card covering the most common responses. Part of the notion of male privilege in fandom is that nothing is wrong with fandom and that suggestions that it might benefit from some diversity is treated as a threat.

But what is that threat, exactly?

In this case, the threat is that – ultimately – fandom won’t cater to guys almost to exclusion… that gays, lesbians, racial and religious minorities and (gasp!) women might start having a say in the way that games, comics, etc. will be created in the future. The strawmen that are regularly trotted out – that men are objectified as well, that it’s a convention of the genre, that women actually have more privileges than guys – are a distraction from the real issue: that the Privileged are worried that they won’t be as privileged in the near future if this threat isn’t stomped out. Hence the usual reactions: derailment, minimization and ultimately dismissing the topic all together.

As much as my nerdy brethren wish that more girls were of the geeky persuasion, it’s a little understandable why women might be a little reticent. It’s hard to feel valued or fully included when a very vocal group insists that your input is irrelevant, misguided and ultimately unwelcome. It’s small wonder why geekdom – for all of it’s self-proclaimed enlightened attitudes towards outsiders and outcasts – stil retains the odor of the guy’s locker room.


Don’t make the mistake of thinking male privilege is solely about how big Power Girl’s tits are, fan service and jiggle physics in 3D fighters. It affects geek girls in direct, personal ways as well.

Remember the example I mentioned earlier with my then-girlfriend in the comic store? Her opinions were deemed mistaken and she was told she didn’t “get it”… because she was a girl.

Y’see, one of the issues that nerd girls face is the fact that they are seen as girls first and anything else second. And before you flood my comments section demanding to know why this is a bad thing, realize that being seen as a “girl” first colors every interaction that they have within fandom. They’re treated differently because they are women.

We will now pause for the expected responses: well that’s a good thing isn’t it, girls get special treatment because they’re girls, guys will fall all over themselves to try to get girls to like ‘em so it all balances out.

If you’re paying attention you’ll realize that – once again – those reactions are what I’m talking about.

Y’see, nobody’s saying that women don’t receive different treatment from guys… I’m saying that being treated differently is the problem. And yes, I know exactly what many of you are going to say and I’ll get to that in a minute.

Male privilege – again – is about what men can expect as the default setting for society. A man isn’t going to have everything about him filtered through the prism of his gender first. A man, for example, who gets a job isn’t going to face with suggestions that his attractiveness or that his willingness to perform sexual favors was a factor in his being hired, nor will he be shrugged off as a “quota hire”. A man isn’t expected to be a representative of his sex in all things; if he fails at a job, it’s not going to be extrapolated that all men are unfit for that job. A man who’s strong-willed or aggressive won’t be denigrated for it, nor are men socialized to “go along to get along”. A man can expect to have his opinion considered, not dismissed out of hand because of his sex. When paired with a woman who’s of equal status, the man can expect that most of the world will assume that he’s the one in charge. And, critically, a man doesn’t have to continually view the world through the lens of potential violence and sexual assault.

Now with this in mind, consider why being a girl first may be a hindrance to geek girls. A guy who plays a first person shooter – Call of Duty, Halo, Battlefield, what-have-you – online may expect a certain amount of trash talking, but he’s not going to be inundated with offers for sex, threats of rape, sounds of simulated masturbation or demands that he blow the other players – but not before going to the kitchen and getting them a beer/sandwich/pizza first. Men will also not be told that they’re being “too sensitive” or that “they need to toughen up” when they complain about said sexual threats.

Men also won’t have their opinions weighed or dismissed solely on the basis of how sexy or attractive they are. The most common responses a woman can expect in an argument – especially online – is that she’s fat, ugly, single, jealous, a whore, or a lesbian – or any combination thereof – and therefore her opinion is irrelevant, regardless of it’s actual merits. This is especially true if she’s commenting on the portrayal of female characters, whether in comics, video games or movies.

Men can expect that their presence at an event won’t automatically be assumed to be decorative or secondary to another man. Despite the growing presence of women in comics, as publishers, editors and creators as well as consumers, a preponderance of men will either treat women at conventions as inconveniences, booth bunnies or even potential dates. Many a female creator or publisher has had the experience of convention guests coming up and addressing all of their questions to the man at the table… despite being told many times that the man is often the assistant, not the talent, only there to provide logistical support and occasional heavy lifting.

Men are also not going to be automatically assigned into a particular niche just based on their gender. A girl in a comic store or a video game store is far more likely to be dismissed as another customer’s girlfriend/sister/cousin rather than being someone who might actually be interested in making a purchase herself. And when they are seen as customers, they’re often automatically assumed to be buying one of the designated “girl” properties… regardless of whether they were just reading Ultimate Spider-Man or looking for a copy of Saint’s Row 3.

Of course, the other side of the coin isn’t much better; being dismissed for the sin of being a woman is bad, but being placed on the traditional pillar is no less insulting. Guys who fall all over themselves to fawn over a geek girl and dance in attendance upon her are just as bad. The behavior is different, but the message is the same: she’s different because she’s a girl. These would-be white knights are ultimately treating her as a fetish object, not as a person. It’s especially notable when it comes to sexy cosplayers; the guys will laude them for being geek girls and celebrate them in person and online. They’ll lavish attention upon them, take photos of them and treat them as queens…

And in doing so, they’re sending the message that women are only valued in geek culture if they’re willing to be a sexually alluring product. Everybody loves Olivia Munn when she enters the room ass-cheeks first as Aeon Flux, but nobody is particularly concerned by the girls dressed in a baseball tee, jeans and ballet flats. One of these is welcomed into geek culture with open arms, the other has to justify their existence in the first place.


The reason why male privilege is so insidious is because of the insistance that it doesn’t exist in the first place. That willful ignorance is key in keeping it in place; by pretending that the issue doesn’t exist, it is that much easier to ensure that nothing ever changes.

Geek society prides itself on being explicitly counter-culture; nerds will crow about how, as a society, they’re better than the others who exclude them. They’ll insist that they’re more egalitarian; geeks hold tight to the belief that geek culture is a meritocracy, where concepts of agism, sexism and racism simply don’t exist the way it does elsewhere. And yet, even a cursory examination will demonstrate that this isn’t true.

And yet geeks will cling to this illusion while simultaneously refusing to address the matters that make it so unattractive to women and minorities. They will insist that they treat women exactly the same as they treat guys – all the while ignoring the fact that their behavior is what’s making the women uncomfortable and feeling unwelcome in the first place. They will find one girl in their immediate community who will say that she’s not offended and use her as the “proof” that nobody else is allowed to be offended.

Changing this prevailing attitude starts with the individual. Call it part of learning to be a better person; being willing to examine your own attitudes and behaviors and to be ruthlessly honest about the benefits you get from being a white male in fandom is the first step. Waving your hands and pretending that there isn’t a problem is a part of the attitude that makes women feel unwelcome in fandom and serves as the barrier to entry to geeky pursuits that she might otherwise enjoy.

also file under metal culture

(Source: womenaresociety)

Hierzulande gibt es keinen Unterschied zwischen dem wirtschaftlichen Schicksal und den Menschen selbst. Keiner ist etwas anderes als sein Vermögen, sein Einkommen, seine Stellung, seine Chancen. Die wirtschaftliche Charaktermaske und das, was darunter ist, decken sich im Bewußtsein der Menschen, den Betroffenen eingeschlossen, bis aufs kleinste Fältchen. Jeder ist so viel wert wie er verdient, jeder verdient so viel wie er wert ist. Was er ist, erfährt er durch die Wechselfälle seiner wirtschaftlichen Existenz. Er kennt sich nicht als ein anderes. Hatte die materialistische Kritik der Gesellschaft dem Idealismus einst entgegengehalten, daß nicht das Bewußtsein das Sein, sondern das Sein das Bewußtsein bestimme, daß die Wahrheit über die Gesellschaft nicht in ihren idealistischen Vorstellungen von sich selbst, sondern in ihrer Wirtschaft zu finden sei, so hat das zeitgemäße Selbstbewußtsein solchen Idealismus mittlerweile abgeworfen. Sie beurteilen ihr eigenes Selbst nach seinem Marktwert und lernen, was sie sind, aus dem, wie es ihnen in der kapitalistischen Wirtschaft ergeht. Ihr Schicksal, und wäre es das traurigste, ist ihnen nicht äußerlich, sie erkennen es an. Der Chinese, der Abschied nahm, „Sprach mit umflorter Stimme: Du mein Freund / Mir war das Glück in dieser Welt nicht hold. / Wohin ich geh? Ich wandere in die Berge, / Ich suche Ruhe für mein einsam Herz.“
I am a failure, sagt der Amerikaner. - And that is that.
Pestilence - Demise Of Time
19 plays

Epic love for this song!

Pestilence - Demise Of Time (off “Spheres”, 1993)

Within the bounds of begin and end
lies the evolution of all that lives
Repeating history is its time ahead
Technology seems so primitive
Different eras unknown to man
set standards we’ve tried to discover
Revealing purposes of future lives
explain the presence, past, the ever

Monuments misplaced in agelessness
They fill the void of what used to be
Lives beyond the ones we know
The mind’s view on surreality
Days fade out the clock of existence
when dreams start to roam the nowhere
Birth of new beings in nature’s creation
to die and evolve in a new sphere

Demise of time

Behold the vision of all dimensions
from the perspective of eternity
Decades meet before my eyes
surrounded by the edges of reality

Scapegoat - Head Sick
199 plays

Scapegoat - Head Sick

sup XFilesX?